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在岭南书画院曲斌院长多次鼓动下,我自觉不自觉地开始关注到朱培尔的书法艺术创作。在北京的相识中,方才得知他是一位诗、书、画、印兼擅的全能型艺术家,所取得的成就也不分伯仲。但我觉得,作为中国最权威的书法杂志的掌门人,可称为当代书法运动的标志性人物,对其书法特点的研究,是很具有现实意义的。一、朱培尔的书法造型为先是其精神所在。朱培尔的书法着重反映图式,从整体到局部,层层叠进,深入浅出,黑白线条穿插流畅,曲斌先
In the Lingnan Painting and Calligraphy Institute President Qu Bin repeatedly encouraged, I consciously or unconsciously began to pay attention to Zhu Beile’s calligraphy art. In his acquaintance in Beijing, he just learned that he is a versatile artist who is good at poetry, calligraphy, painting and printing. His achievements have been equally matched. However, I think that as the head of China’s most authoritative calligraphy magazine, it can be regarded as a landmark figure in contemporary calligraphy movement and its research on the characteristics of calligraphy is of practical significance. First, Zhu Beile’s calligraphy modeling is the first of its spirit. Juppel’s calligraphy focuses on the reflection of patterns, from the whole to the local, layers of progress, explain profound theories in simple language, black and white lines interspersed smooth, Qu Bin first