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“意象”按汉语情境的语义方式解读,就是主观情意和外在物象相融合的心象。具体释义是艺术形象脱离客观物象而寄托了创作主体的主观情思。“意”是创作主体的反应,就是意念,“象”是客观物象的体现,就是物象。“意象”也就是以“象”载“意”及借物抒情。一、意象油画是中国传统哲学文化与审美的产物中国自古以来由于受儒、道、释、禅等哲学思想的濡染,“意象”渐成为中国美学思想的特征。南北朝时刘勰在《文心雕龙·神思》中论述:“积学以储宝,酌理以富才……独照之匠,窥意象而运斤。”在这里,刘勰阐述了艺术构思活动形成的艺术创作体系,用客观积累的事物经
“Image ” According to the semantic way of Chinese context interpretation, is the subjective feelings and external images of the fusion of the heart. The concrete explanation is the subjective feelings of the main body of creation from the objective image of the artistic image. “Meaning ” is the reaction of the creative subject, that is the idea, “image ” is the embodiment of the objective image, that is, the image. “Imagery ” also means “image ” contains “meaning ” and by the material lyric. Image oil painting is the product of Chinese traditional philosophical culture and aesthetics Since ancient times, China has become a feature of Chinese aesthetic thoughts due to the influence of Confucianism, Taoism, Buddhism and Zen philosophy. In the Northern and Southern Dynasties, when Liu Yong wrote in The Literary Mind and the Carving of Dragons · Spiritual Thought, he said: "The plot of learning accumulates treasure, Activities formed by the artistic creation system, with objective accumulation of things after