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明末清初著名琴家徐上瀛在其所著的《溪山琴况》中提出了“和”这个重要的审美范畴,并从琴乐演奏中“弦”“指”“音”“意”的相互关系去谈“和”。其中说:“吾复求其所以和者三,曰弦与指和,指与音和,音与意和,
In the late Ming and early Qing dynasty, the famous pianist Xu Shangying put forward the important aesthetic category such as and ”Tone “ ”meaning “ to talk about the relationship between ”and “. Which said: ”I reply to why they and three, saying chord and refers to, refers to harmony and, tone and meaning and,