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本文分析了中国画中题款位置的选择及其作用,即题款要确到好处地占据画面的空间位置,题款空间位置选择得当,画因此而增色,反之就会破坏画面的整体效果。虽然题款并非画中的主体,但经题入画中,便成为画中的辅助画材,它与画中主体必然产生某种相互间的呼应关系,成为画中不可分割的一部分。
This paper analyzes the choice of the location of the inscriptions in Chinese painting and its role, that is, the inscriptions must occupy the space of the images in a good way and the location of the inscriptions should be properly chosen. Therefore, the painting can therefore enhance its color and conversely it will undermine the overall effect of the images. Although the inscription is not the main body of the painting, it has become the auxiliary material in the painting after it has been inscribed on the painting. It must inevitably have some reciprocal relationship with the subject in the painting and become an integral part of the painting.