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大型泥《收租院》记载着一段旧中国农民悲惨的历史; “现代敦煌”、“我国两大雕塑成就之一”……太多的赞誉赋予了《收租院》太多的神秘。 初冬的川西坝子一股微微的寒气在飘荡,记者来到了这个曾震惊中外的小镇——大邑县安仁镇。豪华、气派的“地主庄园”就是今天仍不时透出当年的“豪门风彩”,“刘氏公馆”雕龙画凤的大门上“受福宜年”四个大字,仿佛在讲述着封建社会一个又一个极其平常的“人吃人的故事”。 据地主庄园陈列馆的同志介绍,当年刘文彩收租的院子是刘文彩老公馆的后院。相传临近成都解放的前几年,刘文彩掠夺性地“买”下了附近一家农民的宅院。其实,刘文彩这座占土地28亩的庄园,也就是他先后霸占23户农民的屋
The large mud collection house tells a tragic history of the old Chinese peasantry. “Modern Dunhuang” and “One of the Two Achievements of Sculpture in Our Country” ... Too much praise gives too much mystery to the “rent-a-lease yard.” In early winter, a slight chill in the western Sichuan Bazi was floating. This reporter came to this town that was shocked both at home and abroad - Anren Town, Dayi County. Luxury, style “landlord manor” is still revealed from time to time today, “giants style”, “Liu Mansion” carved dragon phoenix door “Fortune year” four characters, as if about the feudal society One after another very common “human-eating story.” According to the landlord manor gallery comrades introduced Liu Cai Cai rental yard that year is Liu Wencai mansion’s backyard. According to legend, just a few years before the liberation of Chengdu, Liu Wencai predatoryly “bought” the house of a nearby peasant family. In fact, Liu Wencai accounted for 28 acres of land manor, that is, he has occupy 23 peasant houses