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《画刊》:先聊聊展览,担任威尼斯双年展中国馆的策展人,这个经验给你带来哪些感受?王春辰:有很多,技术角度的包括展览的规模、主题的确定、具体实施等。更大的感受是在今天这种国际化、全球化语境下的文化交流方面。对怎么看展览,有跟以往不太一样的认识。展览不等同于陈列,它特别强调观看背后的一套文化知识以及现实问题。我们以往看展览就是看作品,定义这是抽象、是表现或者其他什么。而今天像威尼斯双年展这样规模的展览,它本身就是在提出一个问题。我这次
Photo Gallery: Let’s talk about exhibitions as a curator of the China Pavilion at the Venice Biennale. What experience does this experience bring to you? Wang Chunchen: There are many technical and technical issues including the scale of the exhibition, the theme of the exhibition, the concrete implementation Wait. The greater feeling is that in today’s international and global cultural exchange. How to see the exhibition, there is not the same as in the past. The exhibition is not equivalent to the display, with particular emphasis on watching a set of cultural knowledge and real problems behind. We used to see the exhibition is to see the work, the definition of this is abstract, performance or whatever. And today an exhibition of a scale like the Venice Biennale itself is asking a question. I am this time