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毛梦溪新近出版的诗词集《幸好与你遇见》对我们来说至多是一本“歌词集”;而现在,它却在一定程度上构成了我们进一步解释诗歌发展兴衰与形式关系的重要契机。这一介于传统歌词与现代诗之间的文本形式,显然较易引起争议:在诗与歌的分化传统下,诗本身对于这一兼容形式无疑是反对的;而在主张诗的通俗化或“亲民化”一方看来,这一形式又恰恰属于“诗的正统”范畴。但是,从作者自身的角度来看,这位在中
Mao Mengxi’s recently published poetry collection “Fortunately, Meet You” is at best a “Lyric Collection” for us; however, it now constitutes an important opportunity for us to further explain the relationship between the development and decline of poetry and the formal relationship . This textual form between the traditional lyrics and modern poetry is obviously more controversial: in the tradition of differentiation of poetry and song, the poem itself is undoubtedly opposed to this compatible form; while in advocating the popularization of poetry or In the opinion of the “pro-civilized” party, this form belongs precisely to the category of “orthodoxy of poetry.” However, from the author’s own point of view, this is in progress