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颓废主义作为一种创作倾向 ,在西方最早见于十九世纪后期象征主义文学作品。在美学上 ,颓废主义否认文艺反映现实 ,否定文艺的社会功用 ,它抛弃一切美学传统和艺术原则 ,主张个性的极端自由 ,崇尚感官本能乃至性放纵。本文结合我国新时期文学创作的实际 ,在肯定现代主义文学艺术成果和颓废主义自有它的存在价值的前提下 ,着重从本体论个人化写作观的偏狭、审美理想的衰颓、辩证唯物论和历史唯物论的消解个人方面 ,深刻剖析了颓废主义对我国当代文坛的消极作用与危害
Decadence as a creative tendency, the earliest seen in the West in the late 19th century symbolism literature. In aesthetics, decadence doctrine denies that literature and art reflect the reality and negates the social function of literature and art. It abandons all aesthetic traditions and artistic principles, advocates the extreme freedom of individuality, advocates sensory instinct and even sexual indulgence. On the premise of affirming the achievement of modernist literary and artistic achievements and the inherent value of decadence itself, this paper focuses on the narrowness of ontological personal writing, the decline of aesthetic ideal, the dialectical materialism and The Deconstruction of Historical Materialism On the individual aspect, it profoundly analyzes the negative effects and harms of decadence doctrine on our country’s contemporary literary world