论文部分内容阅读
在一定的意义上,作品当是画家心性最直接的折射,笔墨之间、取向定位、气息氛围、形态意蕴的因人而异,正是心性所至,所谓“性相近、习相远”大体说的就是这个道理。处在“转型”与“巨变”中的当代画坛,其表象态势是眼花缭乱与喧闹浮躁,致使虚伪与矫饰之风盛行,当然,以不变应万变者、文化精神与价值意义的守望者,始终以清醒、淡定的心态应对着这一特定时期,在作品中保持着真诚、清纯和诗心。
In a certain sense, the work is the most direct refraction of painter’s mind, the contrast between brush and ink, the orientation, the breath of atmosphere and the meaning of form vary from person to person. This is the truth. In the contemporary “transformation” and “great change” of contemporary art circles, the appearance is dazzling and noisy, resulting in the prevalence of hypocrisy and pretense. Of course, with the constant changers, cultural spirits and watchmen of values and significance, Always with a clear, calm attitude to deal with this particular period, in the works to maintain a sincere, pure and poetic heart.