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作者小记金伯兴,一九四○年生于浙江嵊县。幼在四明山下,红土大笔作标语,大跃进时代也。十八岁投笔从戎,由东海而至长江,历任文秘等职,物换星移,终不离笔墨。有时通宵达旦,日抄万郑,乃公务文牍也,由此笔疾字熟,临池不辍,练成作手。一九八七年任湖北省老年书画研究会副秘书长,现任湖北省书法家协会秘书长,书法作品参加国内外展览,亦为中国书法家协会会员。书法的观赏似乎是寻找对作品感觉的定位。感觉是流动的,在飘忽的过程中,迷迷茫茫地调度起以往的审美经验与眼前的感觉作一次叠合:有可能沮丧,因为无法叠合的结果使人产生了对作品的疏离感、冷漠感;也有可能激动亢奋,在很大程度的叠合
The author Xiao Kee Kimbering, born in 1940 in Sheng County, Zhejiang. Young in Siming Mountain, laterite big banner, the Great Leap Forward also era. Eighteen-year-old pen to vote from the Rong, from the East China Sea and the Yangtze River, served as secretarial and other staff, things for the stars, and ultimately leave the ink. Sometimes all night long, daily copy Wan Zheng, is a civil service article also, thus pen disease cooked, Pro stop pooling, practice into practice. He served as Deputy Secretary-General of Hubei Elderly Calligraphy and Paintings Research Association in 1987, and is now secretary general of Hubei Calligraphers Association. His calligraphic works are exhibited both at home and abroad. He is also a member of China Calligraphers Association. Appreciation of calligraphy seems to be looking for a sense of positioning of the work. Feeling is flowing, in the process of wandering, confused and confused to adjust the past aesthetic experience and the immediate feeling of a coincidence: there may be frustrated, because the result can not be superimposed on the work of a sense of alienation, Indifference; may also be excited excited, in a large degree of overlap