论文部分内容阅读
在第四届双年展的“笔墨在当代”的主题展中,我们展示了传统的艺术语言在当今的演变和生存状态。在那次的策展人言中,我们曾提到,在传统的中国画中,“笔墨”是一个仅次于“气韵”的重要的美学概念,历代的画家、尤其是文人画家几乎都将它作为一个检验自己的艺术成功与否的标准。然而,从整部中国绘画史来看,笔墨基本上是以一种渐进的方式发展的,这与中国书法史的发展有着密切的关
In the theme exhibition “Pen and Ink in the Contemporary” at the Fourth Biennale, we show the evolution and survival status of the traditional art language. In that curatorial remark, we mentioned that in the traditional Chinese painting, “brush and ink” is an important aesthetic conception only inferior to “charm and charm.” Almost all ancient painters, especially literati artists, As a test of their own artistic success or failure of the standard. However, judging from the whole history of Chinese painting, ink and ink basically developed in a gradual way, which is closely related to the development of Chinese calligraphy history