当代少数民族美学研究的反思

• 作 者: 姚丹
• 机 构: 武汉大学哲学学院,
• 出 处: 贵州民族研究
• 发表日期: 2015年06期
• 关键词: 少数民族 美学 反思

关于中国少数民族审美思想的研究,始于上世纪末的90年代。研究的内容横跨人类学、美学、社会学等领域,研究基础是少数民族美学文献和不多的资料,研究重点为民族风情、民族艺术、少数民族文化的传承与创新。自21世纪起,研究内容从横向发展转向了纵深,艺术人类学也介入到了该研究范畴,并且研究领域也予以了扩大,多民族的研究越来越热门,逐步成为一个完整的理论体系。

The research on the aesthetic ideas of ethnic minorities in China began in the 90s at the end of the last century. The content of the research is across the fields of anthropology, aesthetics and sociology. The research foundation is the minority aesthetics literature and few materials. The research focuses on the inheritance and innovation of ethnic customs, national arts and minority cultures. Since the 21st century, the content of the research has shifted from horizontal development to the depth, and the art anthropology has also been involved in the research category. The research fields have also been expanded. The research on the multi-ethnic groups has become more and more popular and has gradually become a complete theoretical system.