论文部分内容阅读
画面中,初秋的湘南群山环绕,蜿蜒的山路上行进着—往无前的起义部队。由城市,到农村,高擎红旗,去开展由弱变强的游击战,去创建由小到大的革命根据地。作为一幅典型的革命历史主题绘画,由何孔德、高泉等集体创作的油画《秋收起义》,严格地遵循了主题性绘画的创作规律。它选择表达的主旋律精准到位,它营造的典型环境合情合理,它塑造的典型人物形象生动而具有代表性:作为起义的领导者,毛泽东的形象被着重刻画,处于画面视觉的黄金
In the picture, the southernmost hills of southern Hunan are surrounded by mountains and the meandering mountain roads march toward the uprising forces. From the cities to the countryside, they will redouble their efforts to go from weak and strong guerrilla warfare to the establishment of a revolutionary base from the smallest to the largest. As a typical theme painting of revolutionary history, the oil painting “Autumn Harvest Uprising” created by He Comte, Gao Quan and others collectively strictly follows the law of creation of thematic painting. The main theme of its choice of expression is precisely in place, and the typical environment it creates is reasonable and reasonable. The image of the typical figure it creates is vivid and representative: as the leader of the uprising, Mao Zedong’s image is mainly portrayed, and gold in the picture vision