论文部分内容阅读
一 提起古典风油画,人们难免要想起那位既滑稽却又令人心怀敬畏的安格尔。如所周知,他从19世纪中叶次第成为浪漫主义、写实主义和印象主义的众矢之的而被认作保守僵化艺术的总代表。如果将欧洲的现代艺术与传统艺术划一条分界,那么欧洲传统的典型显然既不是浪漫主义、写实主义,更不是印象主义,而是古典主义,人们常常将“传统”与“古典”作等量观,就正标示了古典主义之于传统的典范意义。这样看来,古典样式的不合时宜似乎已不成疑义。然而就是这种
Mention of classic wind painting, it is inevitable to recall that funny but awesome Angel. As we all know, from the mid-19th century he became the target of romanticism, realism and impressionism, he was regarded as the chief representative of conservative and rigid art. If we divide the European modern art from the traditional art, the typical European tradition is obviously neither romanticism nor realism, nor impressionism, but classicism. People often equate “traditional” with “classical” View, just marked the classical significance of the classic example of the tradition. In this view, the outdated classic style seems to have no doubt. But that’s it