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从去年十一月上旬开始动笔,今年二月上旬交出钢琴谱,五月上旬最后完成总谱,我用了近半年的时间,写完了歌剧《杨贵妃》。 对这部歌剧,我是有备而来,无备而去。 所谓有备而来,是指我在写这部歌剧之前,对这部歌剧将如何去写,又将达到什么效果,心里是清楚的。我知道,它是我近年来对东方哲学美学的学习研究,对中华文化传统的继承发展,对西方作曲技法的学习与借鉴的一次综合实践。更确切地说,歌剧《杨贵妃》是我的美学理念、歌剧理念的一次综合性“音乐发言”！ 所谓无备而去,则是表明我无法,也无意去知
Starting from early November last year, I started to write the pianoforte in early February of this year and finished the score in early May. I spent nearly six months writing the opera “Concubine Yang”. I am prepared for this opera without any preparation. The so-called preparedness means that before I wrote this opera, I will write about this opera and what effect it will achieve. My heart is clear. I know that it is a comprehensive study of the study and study of oriental philosophical aesthetics in recent years, the inheritance and development of the Chinese cultural tradition, and the learning and reference of western composition techniques. More specifically, the opera “Yang Guifei” is a synthesis of my aesthetic concept and opera concept, “Music Speaking ”! The so-called unpreparedness means that I can not and do not want to know