由彩陶文化双鱼纹的演变谈格式塔变调性

• 作 者: 茹天
• 机 构: 西安美术学院,
• 出 处: 艺术与设计(理论)
• 发表日期: 2012年10期
• 关键词: 鱼纹 格式塔 彩陶文化 双鱼纹 变调性原则 彩陶 纹饰 马家窑文化 字面义 全对称

文章探讨了双鱼纹从产生到发展,再到解体和消亡的这一过程,发现其变化过程中,始终遵循着格式塔的变调性原则,在演化中,既有新形态的诞生,也有旧元素的消亡;既有形态的融合,也有某种形变的对抗。最终,在越来越符号化的过程中,双鱼纹以最本真的几何聚散形态,完成了演化的终结。

The article explores the process of the creation and development of the fish from the birth to the development, the disintegration and the demise of the process, and finds that in the process of its evolution, the pagoda always follows the principle of variability. In the evolution, both new births and old elements The demise of both; the fusion of both forms, there are some deformation of the confrontation. Eventually, in the process of becoming more and more symbolic, Pisces finished the evolution with the most true geometric polygamy.