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20世纪的中国文学,总处在焦虑和浮躁之中。这种焦虑和浮躁先是来自对文学的过分关注:人们赋予了文学以“启迪民智”、“救亡图存”、“移风易俗”、“解放思想”的重大社会责任;其后又来自所谓“边缘化”的痛苦。尽管学界内对“边缘化”的表征及其产生的原因众说纷纭,但有两个基本的倾向是大家都承认的,一是读者的丧失,二是文学功能的退
Twentieth-century Chinese literature, always in the anxiety and impetuous. This anxiety and impetuosity come first from the excessive attention paid to literature: People have given great social responsibility to literature in “enlightening the wisdom of the people,” “saving the nation and saving the nation,” “emancipating the mind,” and then from the so-called “marginalized” pain. Although there are many opinions on the characterization of “marginalization” and its causes in academia, there are two basic tendencies recognized by everyone: one is the loss of readers, and the other is the withdrawal of literary functions