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“创新”一词完全是一个艺术的旁观者对实践者的文学化的评价,因为这样的评价似乎更能够显示实践者的才华,正是这样一种缺乏体验的描述造成的错误引导,或者说是过分强调实践者在工作中的出新,加剧了西方的艺术走向了现代主义的运动,后现代主义的运动,现在时至当代,艺术面临的危机愈演愈烈,艺术已经脱离了它应在的轨道。大多数的实践者陷入了对未来的彷徨,一味的求新使得实践者最终陷入了创新与自我生存环境之间的
The term “innovation” is entirely an art bystander’s evaluation of the literariness of practitioners, as such an assessment seems to be more capable of showing the talent of the practitioner, and it is precisely the misleading guidance of such an inexperienced account, In other words, it emphasizes practitioners’ innovations in their work and exacerbates the movement of Western art to the movement of modernism and post-modernism. From nowadays to the present, the crisis facing art is fiercer and the arts are out of its necessity. trail of. Most of the practitioners fall into the trap of ignoring the future, blindly pursuing the practitioners finally caught between the environment of innovation and self-existence