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“悲剧”作为一种理论概念,是历代美学家们所津津乐道的美学范畴之一。自古希腊亚里士多德提出“悲剧”这一概念以来,黑格尔又在十九世纪完善了这一学说,尼采随后以“生命意志”为据,揭示出悲剧背后所蕴涵的永恒的生命冲动。直至今日,这一学说的发展仍受到广大研究学者的关注,并跨越单一的研究领域达到本质上契合。一、悲剧的诞生:美学史中的悲剧西方悲剧应当从古希腊悲剧说起,古希腊悲剧起源于酒神祭祀,题材大多取自神话。追溯
“Tragedy ” as a theoretical concept, is one of the esthetic categories relished by ancient aestheticians. Since ancient Greece, Aristotle put forward the concept of “tragedy”, Hegel perfected this theory again in the 19th century. Nietzsche subsequently revealed the meaning behind the tragedy with “life will ” Eternal life impulse. Until now, the development of this theory still attracts the attention of the majority of researchers and reaches an essential fit across a single area of research. First, the birth of the tragedy: the tragedy in the history of aesthetics Western tragedies should start from the ancient Greek tragedies, the ancient Greek tragedy originated in the sacrificial offering of the god of the gods, the themes are mostly derived from the myth. Trace back