论文部分内容阅读
清代女作家弹词小说的出现,填补了中国女性叙事文学的空白。但由于当时的社会环境以及女作家们的自身原因,导致弹词小说的内容具有一定的模式,主要为男女主人公已有婚约,但出于种种原因遭到破坏,女主人公为从一而终选择男装出逃,之后往往考中状元大展才能,最后身份被人识破,奉旨完婚。千篇一律终会让人出现审美疲劳,而程蕙英的《凤双飞》在题材内容、爱情心理、艺术手法等众多方面对这种写作模式进行了创新,使《凤双飞》成为中国近代文学史上一部独一无二的弹词小说。
The emergence of novels of women writers in Qing dynasty filled the blank of Chinese female narrative literature. However, due to the social environment at that time and the female writers’ own reasons, the content of the storytelling novels has a certain mode, mainly for male and female protagonists have been engaged in marriage, but for various reasons have been destroyed, the heroine chooses men’s clothing After fleeing, often test in the champion exhibition, the final identity was broken through, purport to marry. Thousands of stereotypes will eventually make people appear tired of beauty, and Cheng Huiying’s “Fung Shuangfei” in the theme of content, love psychology, art practices and many other aspects of this writing mode has been innovative, so that “Fung Shuangfei” has become a unique Chinese modern history of literature Storytelling novels.