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新生代导演已经丢弃了太多的不该承担的重负而努力向电影的艺术性、思想性、娱乐性的本色回归,并使“贴近地面的叙事”爆发出超乎寻常的精神力量也许用“新生代”界定徐静蕾、陆川、宁浩等一批年轻生猛的70后导演会让他们不以为然——正如他们新鲜而生猛的电影观:拍出有分量的好电影、为观众奉献一个精彩踏实的好故事才是最重要的,以时间段划分中国导演群体与电影本身有什么必然联系?
Cenozoic directors have already discarded too much weight they should not bear in their efforts to return to the artistic, ideological and entertaining nature of the film and to “unleash the superficial spiritual power of ” “close to the ground narrative ”Cenozoic," defined Xu Jinglei, Lu Chuan, Ning Hao and a group of young and fierce 70-post director will make them disagree - as their fresh and lively movie view: shoot a good movie weight, dedication to the audience a wonderful practical The best story is the most important, to divide the Chinese director groups and the movie itself has any necessary connection?