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一、“意象油画”的形成意象油画的发展与西方现代艺术紧密相连,尽管其与油画艺术的发展和中国坎坷的历史有着千丝万缕的关系。“意象”是中国传统文化美学常用的艺术形式,也是中国的传统审美范畴,但是在西方,人们也同样非常重视这一审美范畴。意大利哲学家克罗齐在二十世纪二三十年代就从哲学角度阐述了“意象”和表现的内在联系,并指出了意象在艺术审美中创造性的本质。克罗齐的发现将中国的意象艺术与西方的表现主义紧紧地联系到一起。从表现的手法来看,尽管中国常常将自己的喜好、感情、愤世寄托在“意象”上
I. Imagery of “Imagery Oil Painting” The development of oil painting is closely linked with western modern art, though it is inextricably linked with the development of oil painting art and the bumpy history of China. Imagery is an art form commonly used in Chinese traditional cultural aesthetics and also a traditional Chinese aesthetic category. However, in the West, people attach equal importance to this aesthetic category as well. In the 1920s and 1930s, the Italian philosopher Croce elaborated the internal relationship between “image ” and performance from the philosophical point of view and pointed out the creative nature of imagery in artistic aesthetic. Croce’s discovery closely linked China’s imagery with Western expressionism. From the performance of the way of view, although China often their own preferences, feelings, cynics pinned on “image ”