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随着社会的飞速发展,物质财富的不断增长,戏剧艺术,特别足话剧面临着一种新的“危机”。为了解决这种危机状态,使戏剧艺术适应新时期人们精神生活的要求,促进戏剧的繁荣和发展,从一九八三年以来,广大的戏剧工作者就戏剧的现状展开了热烈讨论。他们根据自己对戏剧本质的认识和美学见解,从戏剧的内因与外因出发,重视观众审美情趣的研究,对这一问题发表了不少意见。现将其主要观点综述如下。一、关于戏剧的“危机”
With the rapid development of society and the continuous growth of material wealth, drama art and special drama are facing a new kind of “crisis.” In order to solve this state of crisis, to adapt drama art to the spiritual life of the people in the new era and to promote the prosperity and development of the drama, broadcasters have heatedly discussed the present situation of the drama since 1983. Based on their own understanding of the nature of the drama and their aesthetic opinions, they set out to pay attention to the study of the audience’s aesthetic taste from the internal and external causes of the drama, and made many opinions on this issue. The main points are summarized below. First, on the drama of “crisis”