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《收获金秋》是震生2008年的大幅重彩作品,由于有这样一个普通和让人缺乏联想的标题,加上在印刷过程中被削弱的气息。很容易被人忽略,直至在今天的展览上头一次面对这件作品的真身时,我才明白这幅画在震生迄今所有作品中所具备的独特力量。那时的震生似乎还没有“画状元”的头衔,作品中色彩与造型的控制没有现在的和协与自如,人物塑造上也缺少现在的优雅准确。但生涩的笔触混和着稻草、泥土、汗水的气味让人动情,也真真切切道出了他对米勒的热爱。我仿佛也亲眼看到了六年前的震生。在狭小
The Golden Harvest is a big hit for 2008 as a result of such a common and unpopular headline coupled with a weakened atmosphere in the printing process. It is easily overlooked until the first time in today’s show that I face the real work of this work, I understand the unique power of the painting in all the works to date. At that time, it seems that there is no “painting champion” in the epicenter. The control of the colors and shapes in the works does not have the present and the ease of association. The character shaping also lacks the grace and accuracy now. But jerky brushstroke mixed with straw, soil, sweat smell makes people feel, but also really reveal his love of Miller. I also seem to have witnessed the earthquake six years ago. Small