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闻一多的现代诗歌批评与古典诗歌阐释中包含了丰富的现代解诗学的思想。他关注诗的神秘性，揭示幻象与无意识创作活动之间的联系，重视破解诗歌语言的模糊性与游移性。他以现代人的眼光，在对于古典文本的解读中，提出了如何超越三重认知的思维困境：变革观念实现诗的理解由神性到人性的复归；引进多种西方现代学说努力于原初诗歌内容的还原；用“‘诗’的眼光读《诗经》”获得对古典文本真正审美的体味。他在隐喻、象征、多义等方面追求诗歌本体的多重接受，试图沟通“隐”即“兴”、“象”与西方诗学中意象、象征之间的联系，揭示复杂文本隐含的艺术“魔力的泉源”。闻一多在理论和实践上完成了中国古典解诗学向现代解诗学的转变。
Wen Yiduo’s criticism of modern poetry and the interpretation of classical poetry contain rich modern poetic thinking. He focuses on the mystery of poetry, reveals the connection between illusion and unconscious creation activities, pays attention to the vagueness and wandering of the poetic language. From the perspective of modern people, he put forward the dilemma of how to surpass the triple cognition in the interpretation of classical texts: changing the concept to realize the return of the understanding of the poem from the divine nature to the human nature; introducing many kinds of western modern theory into the original poetry Content reduction; “The Book of Songs” is read from the perspective of “poetry” to obtain the true aesthetic taste of classical texts. He pursues the multiple acceptance of poetry noumenon in terms of metaphor, symbol, polysemy and so on, attempts to communicate the relationship between “Hidden”, “Xing” and “Xiang” and the images and symbols in western poetics and reveals the implied art of complex texts “Magic fountain.” Wen Yiduo has completed the transformation from classical Chinese poetics to modern poetics in theory and practice.