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编者手记:网络上,他是蜂鸟高级论坛的版主罗德刚,现实里,他是出版社的美术编辑吴家凯。对很多玩摄影的人来说,都已经习惯了这种身份和角色的转换,其实两者并没有太多不同,爱好,然后执着,表达,然后交流,这就是他们需要的全部内容。老罗的人像照片大多是在拍风光的途中顺手得来,正如他自己所说,没有很强的条理,没有特别的针对性,比较强调个人感受,着力于形式感的刻画。我们也曾在编辑部里讨论过,像这样的照片究竟应该如何定义,是笼统地称之为:艺术肖像,还是:纪实的?环境的?人文的?如此等等。后来我拿这个问题问老罗,结果他自己也说不清楚了,呵呵!也许定义怎样并不那么重要,照片放在那里,也就说明了一切。至于如何选择,我们都有发言的权利。
Editor’s Note: He is the moderator of the Hummingbird Advanced Forum on the Internet. In reality, he is a publishing editor of art Wu Jiakai. For many people who play photography, they are accustomed to the conversion of their identities and roles. In fact, there is not much difference, hobby, persistence, expression, and communication between the two. This is all they need. Most of Lao Luo’s portraits are easily taken in the scenery, as he himself said, there is no strong order, no special pertinence, more emphasis on personal feelings, focus on the description of the sense of formality. We also discussed in the editorial department how exactly such photographs should be defined, generally speaking as: artistic portraits, or: documentary, environmental, humanistic, and so forth. Later, I asked this question to ask Lao Luo, the results of his own can not say, Oh! Perhaps the definition of how not so important, where the photos, it shows everything. As for how we choose, we all have the right to speak.