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戏改黄金期对新中国戏曲发展意义非凡,亟待深入研究。作为戏改成功典型的河南戏曲成果丰硕,其间,河南省首届戏曲观摩演出大会担当了重任,成为河南戏曲发展承前启后的关键性活动,奠定了牢固的观念、体制基础。观摩演出大会围绕戏曲遗产挖掘整理与继承创新等戏曲发展新政之落实,取得了突出的成绩:一、对戏改成果做出检省,由田汉、马可等省内外专家与省内各戏种、行当戏曲家共同审查、讨论及会诊,从寻找新旧辩证关系出发,解决戏改剧目问题,整理改编既尊重传统,又更重推陈出新;现代戏成为核心问题;唱腔、表演等继承创新,经验的规律性总结,常香玉、阎立品成为翘楚。二、会演是戏改理论探索深化的新起点。以挖掘继承、推陈出新为目标,站在总结中国戏曲理论体系、西方理论中国化的高度,总结成果,提出新命题,规划戏曲方向。围绕《刘胡兰》之争,探索地方戏曲表现现代生活之路,马可、冯纪汉等高屋建瓴,确定尊重传统戏曲规律、保持地方剧种特色、紧密结合传统、有重点地创造的原则,奠定河南现代戏崛起的理论基础。三、会演是河南戏曲界走向一体化体制的重要开端。会演完成了调查资源、统一思想、建立共识以及整合力量、成立中国戏剧家协会河南分会等任务,推动了戏曲界一体化格局的形式,使其纳入国家文艺体制。
The golden period of dramatization is of great significance to the development of new Chinese opera, which is urgently needed to be further studied. As a typical success of the drama revolt, Henan opera has achieved fruitful results. In the meantime, the first drama performance performance meeting of Henan Province took the important task and became the key activity of Henan opera development. It laid a firm foundation of concept and system. Observations and performances The congress focused on the implementation of the New Deal of drama development such as excavation, inheritance and innovation of the traditional opera heritage and made outstanding achievements. First, the province made a check on the fruits of the reform, including provincial and foreign experts such as Tian Han and Marco Ma, , Discuss and discuss with the opera troupe at the same time, seek the dialectical relationship between the old and the new, solve the rehearsal of the repertoire, arrange the reorganization not only respect the tradition, but also put more emphasis on innovation; modern drama becomes the core issue; singing, acting, inheritance and innovation, the rule of experience Sexual Conclusions, Chang Xiang-yu, Yan Lishu become the leader. Second, the performance will play a new starting point to explore the deepening of the theory of drama reform. To excavate succession and innovation as the goal, we will summarize the theoretical system of Chinese opera and the height of the theory of Chinese in Western theory, summarize the achievements, propose new propositions and plan the direction of opera. Focusing on the controversy over “Liu Hulan”, this paper explores the performance of local operas in modern life, such as Markov and Feng Jihan, and establishes the principle of respecting the traditional opera rules, maintaining the features of local operas, closely combining tradition with key points, and laying the foundation for the rise of modern drama in Henan Theoretical basis. Third, will play is an important beginning of the Henan opera industry to move toward an integrated system. The task of investigating resources, unifying ideas, building consensus and consolidating forces, setting up the Henan Branch of the Chinese Dramatists Association, etc., will be completed. The form of integration of the opera industry will be promoted and brought into the national literary and art system.