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在中国的“国粹”京剧中,“梅派”以唱腔委婉、嗓音清亮、表演细腻等特点为观众所迷恋。但是,和所有传统戏剧今天所面临的问题一样,梅派艺术也在外来文化、市场竞争的冲击中陷入困境,进入一个相当困难的发展时期。梅派传人梅葆玖正是在这个困难时期试图复兴梅派艺术。他重建了梅兰芳京剧团、组织了梅兰芳基金会。这些努力,加上他出色的艺术成就,确定了其在中国京剧艺术界的地位。梅葆玖是梅家最小的孩子,一九三四年出生在上海。当时梅兰芳已是伶界大王,梅派京剧正处于鼎盛时期。
In China “national essence ” Beijing opera, “Mei school ” to the audience euphemism, clear voice, delicate performance and other characteristics of the audience. However, like all the problems facing traditional theater today, Mei-style art has also been in a difficult stage of development under the impact of foreign cultures and market competition. It is at this difficult time to try to rejuvenate the art of Mei School. He rebuilt Mei Lanfang Peking Opera Troupe and organized Meilanfang Foundation. These efforts, combined with his outstanding artistic accomplishments, have established his place in the Chinese opera industry. Mei Bao Jiu Mei is the youngest child, was born in 1934 in Shanghai. At that time, Mei Lanfang was the king of the spiritual world and Mei School was in its heyday.