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文艺学的背景理论是哲学。在西方 ,每一文艺思潮的背后 ,必伴有相应的哲学思潮 ;在中国 ,文史哲历来不分家。从事文艺学理论研究者 ,必须具有较深邃的哲学眼光。对当代青年学子 ,最为重要者 ,一是哲学入门 ,一是哲学选择与归宿。本文以牟宗三、李泽厚为参照系 ,主张从西方哲学入门 ,并以之作为手段 ;以中国哲学为归宿 ,为“安身立命”之所 ;以中国现代化进程为求生目标三者的综合、互动 ,造就自己的“看家本领”。
The background theory of literature and art is philosophy. In the west, behind every literary trend of thought, there must be a corresponding philosophical trend of thought; in China, literary, historical and philosophical traditions have always been divided into families. In the theory of literary theory, we must have a deeper philosophical vision. For contemporary young students, the most important person, one is the introduction of philosophy, one is the philosophical choice and destination. This article takes Mou Zongsan and Li Zehou as reference systems, advocates getting started with western philosophy and takes it as a means; regards Chinese philosophy as the destination, “settling down life”; integrating, interacting and making the three goals of survival in China’s modernization process Own “housekeeping skills.”