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“晋韵唐法今重情,翰墨自古无定评;胸中烟云龙蛇走,莫问东西南北风。”这是武春河先生写的一首谈书法的诗。我问他诗的意思,他爽朗地一笑,说,这是随便写着玩的,绝不是否定书法的客观评价标准,只是表达自己的一点想法而已。纵观书法历史长河,可称得上名家辈出,千姿百态,各领风骚。如果有人问,谁写得最好?那就很难说了。因为各有各的特色。好与不好,存乎一心;审美价值取向不同,评价也就有别。即便是书圣、泰斗级的书家作品,也是可指可点的,并非十全十美。他认为,书法的本质是一种对艺术的审美追求,其载体是
“Jin Yun Tang Fa this love, Hanmo indefinitely; chest smoke Yunlong snake go, do not ask east-west wind north and south.” This is Mr. Wu Chunhe wrote a calligraphy poem. I asked him what he meant by poem. He smiled heartily and said that it was written and played casually. It was by no means negating the objective evaluation criteria of calligraphy and merely expressing his own point of view. Throughout the history of calligraphy can be described as famous comers, in all forms, each leading position. If anyone asks, who wrote the best? That’s hard to say. Because each has its own characteristics. Good and bad, keep one heart; aesthetic value orientation, the evaluation is different. Even the book of saints, fighter-class calligrapher works, but also can be point, not perfect. He believes that the essence of calligraphy is an aesthetic pursuit of art, its carrier is