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本文主要采用知识社会学和形式分析方法,以视觉修辞为视角,考察20世纪60年代艺术家在创作以鲁迅为题材的美术作品时,如何在政治意识形态限定的范围内运用各种修辞方式,以达到不同形态的鲁迅形象的建构。
In this paper, we mainly use the method of knowledge sociology and formal analysis, and visual rhetoric as a perspective to examine how artists in the 1960s used various rhetorical methods within the limits of political ideology in the creation of fine art pieces based on Lu Xun. To achieve the construction of different forms of Lu Xun’s image.