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“关东戏剧”从它提出之日起,便具有一种地域文化的意蕴。对于这种存在,无论概括为“现象”也好,“流派”也罢,“风格”也成,它在文化上与同为中华民族文化的燕赵文化,齐鲁文化,吴越文化,湘楚文化,巴蜀文化,闽粤文化……在神韵与情致的追求上毕竟区别是鲜明的。因此,打出“关东戏剧”的旗帜,提醒或激发我们的剧作家、导演、演员、舞美设计师更多地关注自
“Kanto Theater” from the date of its proposed, it will have a sense of regional culture. For this existence, whether summarized as “phenomenon” or “genre” worth mentioning, “style” also become, it is culturally the same as the Chinese culture Yanzhao culture, Qilu culture, Wu and Yue cultures, Xiang Chu culture, Bashu culture, Fujian and Guangdong culture ... ... in the charm and the pursuit of love after all, the difference is clear. Therefore, the banner of “Kanto Theater” is played to remind or motivate our dramatists, directors, performers and dance designers to pay more attention to self