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在CG作画大吃香的今天,山崎贵子还是很传统地在用彩色墨水作为主要上色工具。那是一种会慢慢渲染开的颜料,不像水彩那般拘谨,也没有国画那般嚣张,只是自然而然,出现了那些很纯
Yamaguchi Takako still traditionally uses colored ink as the primary coloring tool in today’s CG creations. It was a pigment that would be slowly rendered, unlike the cautious watercolor and no arrogance of traditional Chinese painting, except that it appeared very pure