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传统与现代性的问题,其实就是承传与创新的问题。新近的大型现代粤剧《刑场上的婚礼》,无疑是穿越翳局夏日的一股清凉,让心神与观感为之一爽。如同艺术领域正在热烈讨论的艺术表现的形式载体中有关精神性因素的问题,无疑都在寄望于阳刚大气、振聋发聩的艺术精神能在回归中再度得到彰显,艺术形式的新变能在关怀与道义方面有更大的担承。这台戏的收获是显而易见的,归结如下:首先,在主题精神、艺术探索、诗性思考方面。
The issue of tradition and modernity is actually the issue of inheritance and innovation. The recent large-scale modern Cantonese opera “wedding venue” is undoubtedly through the summer a cool, let the mind and the perception of one of the cool. As the formal carrier of artistic expression in the field of art is heatedly discussing the issue of spiritual factors, it undoubtedly remembers the masculine atmosphere and the artistic spirit of deafening emotions can be re-emphasized in the process of return. More moral commitment. The harvest of this play is obvious, and is summarized as follows: First of all, in the theme of spirit, art exploration, poetic thinking.