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“文革”期间毛泽东主题绘画显示出了其绘画语言上特殊的视觉效果,建构了“红光亮”、“高大全”的视觉文化。文章在分析“文革”期间毛泽东主题绘画语言特征的基础上,从艺术的本质论和认识论方面探究其艺术真实。
During the “Cultural Revolution”, Mao Zedong’s themed paintings showed the special visual effects of his painting language and constructed the visual culture of “red light” and “high school”. Based on the analysis of the language features of Mao Zedong ’s thematic painting during the “Cultural Revolution”, the article explores its artistic truth from the perspective of the essence of art and epistemology.