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回想起来,有两幅画作给我的印象最深,一触目内心就受到震撼:一幅是米勒的《拾穗者》,另一幅是列宾的《伏尔加河上的纤夫》。拾穗者,三位农妇宽厚的身躯弯向大地,既像是对大地虔诚的答谢,又像是祭奠已与大地连为一体的祖先。那三位农妇——三位母亲,被当时的法国评论家称之为“
In retrospect, I was most impressed by the two paintings, one shocking to the inside: one was Miller’s Gleaning, and the other was Repin’s “Beggar” on the Volga. Gleaners, the three peasant women generous body bent to the earth, both like a pious thanks to the earth, but also like to pay homage to the ancestors have been linked with the earth. The three peasant women, three mothers, were described by French critics at that time as "