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作家欧阳山的《三家巷》独具魅力之处就在于在那个文学作品已高度体制化、规范化的文学语境中,能够寻到一条夹缝,以较多笔墨从容地描绘丰富的生活场景,特别是对其中几对青年男女爱情故事的抒写。本文试以作品人物周榕、陈文娣爱情的合与分来透视五四时期爱情自由的实现过程中最为显著的性别问题、门户问题,从而从一个侧面反映出中国现代化进程的艰辛。
The unique charm of “Three Alleyways” by writer Ouyang Shan lies in the fact that in the highly institutionalized and standardized literary context in which the literary work has been highly developed, it is possible to find a nostalgia for depicting more abundant scenes of life with more ink, especially Is a couple of young men and women to describe the love story. This paper tries to explore the most significant gender and portal problems in the process of the freedom of love during the May 4th Movement through the combination and division of the love of works by Zhou Rong and Chen Wendi, which reflects the hardship of the process of China’s modernization from one aspect.