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中国龙文化是中国传统文化中最具代表性的符号。古今中外的众多学者从不同角度对于中国龙文化都有精辟独到的见解,但通过符号学的角度研究龙文化的研究却寥寥可数。宋代以降,龙在国家意识中成为皇权的象征,在民间社会心理中成为护农的水神龙王,呈现出二元走向。本文采用符号学的方法分析黄龙符号神话的形生和破灭,以及龙在文学中的形象,力图通过结构主义的理论解释出中国黄龙文化演变的符号学机制。
Chinese dragon culture is the most representative symbol in Chinese traditional culture. Many scholars both at home and abroad at present and abroad have brilliant insights on Chinese dragon culture from different perspectives. However, there are only a few studies on dragon culture through semiotic studies. The decline of the Song Dynasty, the dragon in the national consciousness to become a symbol of imperial power, in the social psychology of farmers to become the Dragon King of water, showing a binary trend. This paper uses the method of semiotics to analyze the formation and destruction of the myth of the Huanglong symbol and the image of the dragon in the literature, trying to explain the semiotic mechanism of the evolution of the Chinese Huanglong culture through the structuralist theory.