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卢沉(中央美术学院国画系教授)：十年前,我在中央美院国画系开设水墨构成课姚鸣京在我的画室进修。他对构成有一种特殊的敏感,虽然是头一回上这门课,似乎早已谙熟此道。当时规定每人交十张作业,他的作业非常出色,十张作业,有七张编入美院电教室发行的水墨构成教材。这一点给我留下了很深的印象。不少学院出身的人,由于长期浸淫于写生训练,易受制于对象。在姚鸣京身上没有这种的毛病。他作画很自信,在对象面前能自作主张,别开生面。我很欣赏姚鸣京这种面对自然不为物役的艺术气质。鼓励他的粗笔大写,以心造境,近几年的作品,以虚求实,以神写形,在有构成意味的笔墨中求自由心境的表现。
Lu Shen (Professor of Chinese Painting Department of the Central Academy of Fine Arts): Ten years ago, I started the ink painting class Yao Mingjing in the painting department of the Central Academy of Fine Arts in my studio. He has a special sensitivity to the composition, although this is the first time on this class, it seems that already familiar with this. At that time, it was stipulated that each person should pay ten assignments. His homework was excellent. Ten assignments consisted of seven textbooks composed of ink printed in the classrooms of the Academy of Fine Arts. This left a very deep impression on me. Many college-born people, due to long-term immersion in sketch training, subject to control. There is no such problem in Yao Mingjing. He is very confident in painting and can make his own self-assertion in front of the audience. I really appreciate Yao Mingjing this is not the art of natural temperament. Encourage his bold pen and writing, heart to heart environment, the works of recent years, with virtual reality, God-shaped, in the composition of the meaning of the pen and ink free mood performance.