晚唐诗人由执着激愤到感伤忘世的心态走向

• 作 者: 池万兴
• 机 构: 西藏民族学院中文系
• 出 处: 固原师专学报
• 发表日期: 1999年04期
• 关键词: 晚唐诗人 盛唐诗人 咏史 诗歌创作 心理趋向 主体心灵 中唐诗人 衰世 甘露之变 矛盾心态

与盛唐诗人明朗昂奋的精神共性、中唐诗人信心不降又期望中兴的心理趋向比较,晚唐诗人明显地表现出由执着激愤到感伤忘世的心态走向。这种心态作用于诗,便使他们的诗歌创作从广阔的社会现实收敛到个人情感的抒发和日常生活情趣的抒写。无论咏史或抒怀,都表现出明显的感伤心态。

And the Tang Dynasty poet unequivocal spirit of the common nature of the poet in the Tang Dynasty does not drop down the confidence and expectations of ZTE’s psychological trends compared to late Tang Dynasty poet clearly demonstrated by the attachment of resentment to sentimentalism toward the mentality. This mentality acts on the poem, so that their poetic creation converges from the broad social reality to the expression of personal feelings and the daily life. Regardless of chant history or expression, have shown a clear sentimental attitude.