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从苏丁的《小糕点师》上,我看到不安。小糕点师像教皇、国王、大师坐在椅子上,搭足架子,构成了仪式感。这幅画仪式感越强,我越不安,接下来是帽子夸张的造型,它像是被强力撕开的。在小糕点师分崩离析的帽子下,拽长的脸如果不这么一脸无辜的话,倒有点像早有预谋的卡夫卡。用白纸把小糕点师的帽子和鼻子以下全部遮住,真像卡夫卡,尤其是这对耳朵。卡夫卡的耳朵极富表情:倒霉、背时、不走运,这对耳朵也是如此。作为这幅画的过渡,是小糕点师细长的脖子,以至于使脸也成为可有可无的末事。格里高尔·萨姆沙梦见自己是一只甲壳虫时,就能很
From Souterin’s “little pastry division”, I see restlessness. Like a pope, king, master sitting in a chair, take a stand, constitute a sense of ritual. The stronger sense of ritual in this painting, the more uneasy I am, the more exaggerated the style of the hat is, the more it seems to be ripped apart. Under the disintegration of the little pastry chef hat, pull the long face if not so innocent, it kinda like a premeditated Kafka. With white paper to the little pastry division hat and nose cover all the following, really like Kafka, especially this pair of ears. Kafka’s ear is very expression: bad luck, the back, unlucky, this is true of the ears. As the transition of this painting, is the slender neck of the pastry chef, so that the face is also an optional end. Gregor Samsam dreams of being a Beetle