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大足石刻,是中国宋代石窟艺术的杰出代表,是中国石窟艺术的“最后辉煌”。本论文运用文献综述,田野考察,风格学方法,主要从世俗美和意境美两大方面论述大足石刻宋代造像的艺术风格,并管窥其体现的时代精神。
Dazu Rock Carvings is an outstanding representative of the art of grottoes in the Song Dynasty in China and the “Last Brilliance” of Chinese grotto art. This thesis uses literature review, field investigation and stylistic methods to discuss the artistic style of the statues of Dazu Rock inscriptions in Song dynasty mainly from secular beauty and artistic conception of beauty of beauty.