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从古至今,《婴戏图》都是绘画科目里较为特殊的题材。瓷上《婴戏图》作为这个题材中一支独立的门类,自唐代萌芽开始,进入宋代之后便迎来了一个历史性的高潮。陶瓷上的《婴戏图》之所以在这个时代繁荣绽放,其原因有许多,比如宋朝的社会相对稳定、经济重组等各项时代背景。基于这样的认知,笔者在本文中,描绘了宋代时期《婴戏图》在陶瓷上的综合表现、促进它盛行的原因以及这个时代里它们所代表的文化内涵。
Since ancient times, “baby play map” is a more special subjects in painting subjects. As an independent category in this subject, the “baby play map” on porcelain has ushered in a historic climax since the beginning of the Tang Dynasty and its entry into the Song Dynasty. There are many reasons why the “baby play map” on ceramics flourishes and flourishes in this era. For example, Song’s social background is relatively stable and economic restructuring takes place. Based on this understanding, the author in this article depicts the comprehensive performance of the “baby play map” in the Song Dynasty on ceramics, the reasons for its prevalence and the cultural connotations they represent in this era.