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传统祥瑞图形又称传统吉祥图形,是中国工艺美术史上的一枝奇葩,蕴含着中华民族深厚的文化、思想和情感,呈现出中华民族祥瑞文化特色。《说文》中说:“吉,善也”、“祥,福也”。祥瑞即是“吉祥”、“祥和”之意。在中华传统文化长河中,祥瑞文化是一条贯穿时空的十分重要的支流,凝结着中华民族的伦理情感、生命意识、审美趣味与宗教情怀等,满足了人们的审美愿望与心理需求,几千年来成为人们不可缺失的生活层面。祥瑞文化是借助于载体表达如意美满等愿望的文化,在中华民族创造的灿烂的传统祥瑞文化体系中,传统祥瑞图形则是其中的重要的部分。祥瑞图形就是把美好的故事和喜庆的征兆绘成图画,用来表达求吉驱凶的愿望,在民间常常用于自身祈愿
Traditional auspicious graphics, also known as traditional auspicious graphics, is a wonderful work in the history of Chinese arts and crafts. It contains the profound culture, thoughts and emotions of the Chinese nation and presents the auspicious cultural features of the Chinese nation. “Said the text” said: “Kyrgyzstan, good also ”, “auspicious, Fu also ”. Auspicious is “auspicious”, “harmony” meaning. In the long course of traditional Chinese culture, auspicious culture is a very important tributary that runs through time and space. It condenses the ethical feeling, life consciousness, aesthetic taste and religious feelings of the Chinese nation and satisfies people’s aesthetic desire and psychological needs. For thousands of years To become an indispensable life level. Auspicious culture is the carrier of hope to express the wishfulness of the culture, in the splendid traditional auspicious cultural system created by the Chinese nation, the traditional Auspicious graphics is one of the important part. Auspicious graphics is the picture of good stories and signs of festive celebration, used to express the wish of Kyrgyzstan to promote good fortune, often used in their own private pledges