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本论文的研究对象是中国当代作曲家崔世光(1948年—)根据刘天华的同名二胡曲所编创的《即兴曲三首》(1998年),作品在发扬继承中国音乐文化的同时,对以往的乐曲进行改编和再创作,将传统单声民族旋律充分加以丰富美化并巧妙利用钢琴多声性的特点,大大发挥了钢琴乐器的表现空间,成为中国钢琴音乐发展中不可或缺的重要组成部分。如何在演奏中做到保留民族韵味又最大化的在钢琴上演奏出新作品赋予的新时代气息,结合自身演奏实践,本文将予以重点讲述。
The research object of this thesis is “Three Impromptu” (1998) by contemporary Chinese composer Cui Shiguang (1948 -) based on Liu Tianhua’s eponymous erhu music (1998). While promoting and inheriting Chinese music culture, Music adaptation and re-creation, the traditional monotonous national melodies to fully enrich and beautify and clever use of the characteristics of the piano polyphony, greatly exert the performance space of the piano instrument has become an integral part of the development of Chinese piano music. How to keep the national charm while maximizing the performance of the new era of new works on the piano to play, combined with their own performance practices, this article will be focused on.