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中国古代及古希腊罗马,寓言作品均极发达,这种短小精炼体裁之故事.有冲突,有回旋,尺幅兴波,包涵极广。丁聪、陈四益先生合作推出的《绘画双百喻》(湖南文艺出版社)寓言杂文,借题发挥.胜义迭出.这一点和古体寓言也是不谋而合.其间含着一种功效持久的冷幽默.令读者循着故事、角色的遭遇.引申出教训、感慨来。一则寓言,有一种或多种命意,在读者那里.又生
In both ancient China and ancient Greece and Rome, allegory works are extremely developed. The story of this short and refined genre has conflicts, roundabouts, broad-band waves and a very wide range of implications. Ding Cong, Mr. Chen Siyi co-launched the “Painting Double Hundred Metaphysical” (Hunan Literature and Art Publishing House) allegory essays, borrowed to play. Sheng and Yi after another .This and the archaic allegory is also coincides with the interdependence of a long-lasting cold humor Let readers follow the story, the role of the experience. A fable, one or more of the fate, is there for the reader