论文部分内容阅读
1964年。我从电影学院来到珠影。40多年过去.弹指一挥间。我庆幸自己赶上了中国电影事业发展的黄金时代——改革开放带来的新生活和创作自由,使我们这批被“文革”耽误了十几年的电影工作者有了用武之地.我的童年和少年时代是在农村度过的,乡间生活虽然贫寒,但这一段生活是我一生中最快乐的,也是最难忘的日子。所以。我创作的目光自然而然地聚焦在农村.我一看到《乡情》的剧本就有强烈的创作冲动:那扑面而来的乡土气息.与我少年的生活很贴近,一下打动了我的心.我执导的《乡情》突破了许多农村题材电影惯用的喜剧模式,首创一种优雅的抒情风格,为珠影拿到第
1964. I came from the film academy beads. More than 40 years past. I am glad that I have caught up with the golden age of the development of China’s film industry - the new life brought by the reform and opening up and the freedom of creation so that the filmmakers who were delayed by more than a decade of “Cultural Revolution” My childhood and adolescence are spent in rural areas, although the country life is poor, but this period of life is the happiest and most memorable of my life. and so. My creative eyes are naturally focused on the countryside, and as soon as I saw the “nostalgia” script, I had a strong creative impulse: that blowing homey atmosphere closely resembled that of my youth and touched my heart. Directed by the “nostalgia” broke through many rural theme movie comedy mode, pioneering an elegant style of lyric, as the Pearl to get the first