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《音乐世界》第二期发表了一篇短小而有份量的文章:晓明同志用辩证唯物主义的观点,对人们熟知并常引以为据的“雅俗共赏”论提出了大胆的质疑,并提出了“雅俗并存,多层发展”的主张。其见解新颖、独到、正确。我非常赞成。长期以来,我国的音乐生活中对雅俗问题一直争论不休。一会儿只有搞通俗音乐的才是“人民的”音乐家,凡搞尖端作品的被斥之为搞“大,洋、古”,“脱离
The second issue of “The World of Music” published a short but valuable article: Comrade Xiaoming made a bold question about the theory of “popular custom”, which is well-known and often cited by dialectical materialism, and raised the question The “elegant and vulgar coexistence, multi-level development” of the proposition. The new insights, unique, correct. I very much agree. For a long time, the issue of elegance and vulgarity in our music life has been debated endlessly. For a while only the popular music is the “people’s” musician. Those who engage in cutting-edge works are accused of engaging in “big, foreign and ancient” and "