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东京专电 当日本四季剧团创作和演出的大型音乐剧《李香兰》的帷幕徐徐拉开时,本世纪20年代至40年代日本军国主义侵略中国的那段阴暗历史又生动地再现在舞台上。这出戏剧,动人心弦.发人深省,受到观众的赞赏。 今年年初以来,记者因工作关系看了3遍《李香兰》,感触颇深。至今,剧中日军残杀我无辜百姓的“平顶山大屠杀”,我抗日流亡学生投笔从戎救国救民以及伪满政府听从日寇摆布卖国殃民等场面仍时常在脑海中出现。“九一八、九一八……”那充满悲伤和对故土眷恋之情的曲调不时在耳边回响。在日本仍有一部分人不愿正视那段侵略历史的今天,四季剧团能够勇敢地推出这部主题如此鲜明的
Tokyo Special Edition When the curtain of the large-scale musical “Li Xianglan”, created and performed by the Japanese seasonal theater troupe, slowly unfolded, the dark history of Japanese militarist aggression against China from the 1920s to the 1940s was vividly reproduced on the stage. This drama, touching, thought-provoking, appreciated by the audience. Since the beginning of this year, the reporter saw three times because of the working relationship “Li Xianglan,” deep feelings. So far, the scenes of the “Pingdingshan Massacre” by which the Japanese Army murdered my innocent people and my anti-Japanese student-in-exile had always appeared in my mind from the rescue of the country and the rescue of the people and the government of the puppet Manchukuo regime. “Nine one eight, nine hundred and eighteen ......” That full of sadness and love of the tune of the homeland from time to time in my ears. Today, some people still do not want to face the history of that invasion of Japan today, the Four Seasons Company can bravely launch this theme so distinctive