明清杂剧评价标准刍议

• 作 者: 赵星
• 机 构: 平顶山学院文学院,
• 出 处: 戏剧文学
• 发表日期: 2013年02期
• 关键词: 清杂剧 杂剧创作 中国戏曲史 案头剧 曲辞 清人杂剧 评价标准 杂剧作家 戏曲家 吴梅

长久以来,人们普遍认为杂剧艺术在元代之后便走向衰落。但是,也有一些学者对这一观点表示质疑,他们称许明清杂剧在曲辞等方面也取得了不俗的成就。由于评价标准的分歧,人们往往会对一种文学史现象做出截然相反的结论,明清杂剧也是如此。作为中国戏曲史的一个重要组成部分,明清杂剧亟需人们以一种更加公正合理的标准对其进行评价。转变研究的态度和方法,才能更加接近事物的真相。

For a long time, people generally think that the art of zaju has declined since the Yuan Dynasty. However, some scholars questioned this view. They claimed that Xu Ming and Qing Drama also made good achievements in such aspects as the rhetoric. Due to the disagreement of the evaluation criteria, people often make the opposite conclusion to the phenomenon of a literary history, as did the drama in the Ming and Qing Dynasties. As an important part of the history of Chinese opera, the drama in the Ming and Qing Dynasties urgently needs people to evaluate it with a more just and reasonable standard. To change the attitude and methods of research can we get closer to the truth of things.